2 million views, 30+ job sites filmed, and a measurable rise in the number of people searching for the company by name.

• The brief
This contractor builds the part of a project nobody photographs: excavation, piling, foundations. The work is finished and buried before the building exists. The company had an Instagram account and a YouTube channel, and almost nothing on either.
Groundworks runs on people who are willing to work outdoors, in winter, on a site that changes every week. Job boards bring in applicants who have never seen that site and leave within a month. The company needed candidates who knew what they were signing up for before they applied.
General contractors and developers look up a subcontractor long before the first call. If the search ends on a static website and an empty feed, a company with thirty active sites looks smaller than a company with three.
Where we started: two accounts, no regular content, no footage library.
• The double funnel
A construction site is interesting to two very different people: the worker who might join the crew, and the client who might sign the contract. We built the program so that one day of filming feeds both.
Same crew, same site, two edits. That is what makes it affordable to run both funnels at once.
• What we shot
Eleven months of continuous production on working construction sites — drone and ground, in every season.
Shot on live sites during working hours. Nothing staged, nothing filmed in a studio.
• Not just filming
A social media program is not a stack of videos. Most of the work happens between the shoots.
Scripts, shoot, edit. 65 videos for Reels, Shorts and the feed — written before the crew left for the site, not assembled from whatever got filmed.
A construction method explained in eight slides. The format buyers save and forward to a colleague.
The daily layer: progress on a site, polls, questions from the audience answered by the people doing the work.
How a foundation goes in, drawn so that someone who is not an engineer follows it.
Captions, hiring posts, project descriptions — written in construction vocabulary, not marketing vocabulary.
A foreman, a safety officer and a site worker as recurring characters, so the audience comes back for people and not only for machines.
A video studio hands you files. We ran the accounts.
• Shooting on a live site
Nobody had to pose, repeat a manoeuvre or wait for us.
• Timeline
Audit of both accounts, competitor review, a shooting plan tied to the construction schedule, content pillars for both funnels.
First site visits, drone and ground. Testing which formats hold attention and which do not.
A stable publishing rhythm, recurring characters, a growing footage library. Reach climbs month over month.
The highest-reach videos of the program, and branded search passing 11K searches a month.
• Results
Views measure attention. Branded search measures memory — it counts the people who stopped scrolling at some point, remembered the name, and later typed it into a search box on purpose. Over eleven months that number went from 7–8 thousand a month to 11–11.7 thousand, and its peaks fall in the same months as our highest-reach videos.
That is the hardest thing to produce in B2B construction marketing, and the easiest thing to verify.
Groundworks, utilities, structural steel, industrial installation — the less visible the work, the wider the gap between what a company actually does and what the market knows about it. Content is what closes that gap, and the people you want to hire are watching the same feed as the people you want to sell to.